Jennifer Ryan’s The Chilbury Ladies’ Choir, an uplifting novel of women on the WWII home front

“There’s something bolstering about singing together.” Jennifer Ryan’s charming debut interweaves many women’s voices to create a strong chorus that rings out with heart and the celebration of life.

The story spans barely five months in 1940, but it’s an eventful time for Chilbury, a small Kentish village seven miles from England’s coast. With most men off at war, the vicar disbands the choir, but as with so many other home front duties, Chilbury’s women take up the reins. Their female-only singing ensemble, daring for its time, is successful in more ways than one.

Their stories are told through their writings, and each woman’s account echoes her personality. There’s Mrs. Tilling, a timid widow and nurse worried about her only son in France; Venetia Winthrop of Chilbury Manor, a sophisticated flirt; Kitty, her attention-hungry younger sister; and Edwina Paltry, a conniving midwife. Kitty’s diary entries are fun, since they burst with enthusiasm and teenage melodrama as she dreams about her sister’s longtime suitor and reacts to her changing world.

In letters to her London-based friend, Venetia reveals how her affair with a mysterious artist turns into something more, to her astonishment. Mrs. Tilling’s growing courage to stand up for herself and others will have readers cheering, as will her growing closeness to the burly colonel billeted with her. Edwina’s involvement in a greedy baby-swapping scheme gets soap-opera silly, but her audaciousness never fails to entertain. The fifth and softest voice is that of Sylvie, a Czech Jewish evacuee.

As the village intrigues play out and the Nazi threat reaches England, shattering buildings and lives, shadowy men skulk about in the woods, and the women draw strength from their togetherness. Fans of The Guernsey Literary and Potato Peel Pie Society and the TV series Home Fires should put this uplifting, absorbing novel high on their reading lists.

The Chilbury Ladies’ Choir is published by Crown this Tuesday, February 14th in hardcover and .  The UK publisher is The Borough Press.  This review first appeared in February’s Historical Novels Review.

Some highlights from a year of reading – 2016

I debated whether to post a list of 2016 favorites.  Choosing from among those I’d read in the last year proved challenging, and I spent way too much time dithering over a list.  In the end, I decided I’d already made my decisions via Goodreads, so I should stick to it.

Goodreads has a nice display of my 2016 Year in Books.  I didn’t meet my challenge of 100 books read, instead getting to just 94 (Goodreads says 89, but I didn’t track manuscripts I’d read for friends, which aren’t in the system anyway, or books I’d read as an award judge).  For my choices on which to highlight in this post, I counted only books first published in 2016.

Okay, enough disclaimers.  Here are the 10 books I’d rated as five-star reads in 2016, arranged in no particular order.

Natashia Deón, GraceA deeply affecting novel about motherhood and freedom in the antebellum South, as seen from the viewpoint of an enslaved woman murdered just after her daughter’s birth.  Brave, unflinching, and memorable.

Sarit Yishai-Levi, The Beauty Queen of Jerusalem – This debut novel from an Israeli author became an international bestseller in  its original Hebrew.  It involved me fully in the daily lives, hopes, and sufferings of four generations of Sephardi Jewish women in 20th-century Jerusalem.

Brad Watson, Miss Jane – A beautifully contemplative novel about a woman from early 20th-century Mississippi (based on the author’s great-aunt) who was born with an unusual medical condition that precludes marriage but seizes what joy she can from life all the same.

Suzanne Wolfe, The Confessions of XThis imagined autobiography of the unnamed mistress of Augustine of Hippo is a poetic work of art, literary historical fiction set during an age — the shadowy fourth century AD — about which few historical novels are written.

Jennifer S. Brown, Modern GirlsIn this warmhearted yet realistic novel, an immigrant mother and her Americanized daughter in 1930s NYC both find themselves unhappily pregnant. It’s full of wonderful details on Jewish life and customs at the time.

Emma Donoghue, The Wonder – In 1859, an English nurse travels to rural Ireland to investigate the case of a “fasting girl” and discovers a potential crime-in-progress. Devout Catholicism mixes with folk superstition in my vote for the most affecting, suspenseful read of the year.

Mary Sharratt, The Dark Lady’s MaskThe imagined relationship between English poet Aemilia Lanyer and William Shakespeare; the author always has insightful things to say about historical women’s roles and accomplishments.

Mary F. Burns, Ember Days – On the cusp of the 1960s, life-changing secrets emerge among the residents of the small coastal town of Mendocino, California. There are many characters and viewpoints, all distinct, and their religious beliefs, carefully interwoven without preachiness, allow for an abiding sense of hope.

Weina Dai Randel, The Moon in the PalaceThis debut novel about the younger years of the future Empress Wu presents a young girl’s transition into womanhood at the imperial court of 7th-century China.  Far from a standard tale of royal intrigue, the writing provides entrance into a formal yet sumptuous world.

Catherine Banner, The House on the Edge of NightA near century-spanning epic set on the fictional isle off the Sicilian coast, Banner’s debut novel combines the lively style of a folk tale with the realism of a meaty historical saga.  I found it engrossing and would love to visit Castellamare in person.

And there we have it, with just six hours to spare until the New Year.  Thanks very much for following this site, and I hope the next year will bring you lots of good reading!

The Chosen Maiden by Eva Stachniak, an expressive novel about Polish dancer and choreographer Bronislava Nijinska

One can rely on Stachniak (The Winter Palace, 2012) for engaging, well-researched fictional portraits of dynamic historical women. As her story of renowned Polish ballerina and choreographer Bronislava Nijinska unfolds against the politically troubled backdrop of late nineteenth- through mid-twentieth-century Europe, readers become both active participants in her continual pursuit of creative excellence in dance and captivated spectators.

Born in Minsk to traveling professional dancers, Bronia’s early life and rigorous training at Saint Petersburg’s Imperial Ballet School are dominated by her older brother, Vaslav Nijinsky, depicted as an artistic genius whose daring performances motivate her—and overshadow her own talents. Around this time, ballet is moving from its formal, classical roots into more fluid forms of expression, and Vaslav and Bronia are part of this controversial transformation.

As she emerges as an innovative artist in her own right, Bronia’s working relationship with impresario Serge Diaghilev—founder of the Ballets Russes, her brother’s probable lover, and for whose company she dances and choreographs in Paris and elsewhere—is portrayed with skill. With striking depth of feeling, Stachniak brings us firsthand into the moments when Bronia embodies the onstage personas she creates.

The novel also illustrates her family life, including marital discord, Vaslav’s increasing mental instability, and the value of motherhood. A memorable literary rendering of a remarkable woman’s life.

The Chosen Maiden will be published by Doubleday Canada next Tuesday (464pp, trade pb, $18 US, or $24 in Canada). This review was submitted for publication in Booklist‘s January 1st issue.  While the publisher is Canadian, the book is being distributed in the US, so American readers shouldn’t have trouble obtaining it.

Nicola Cornick’s The Phantom Tree, a time-slip mystery of modern and Tudor England

It’s easy to feel sorry for Mary Seymour. Daughter of Henry VIII’s widow, Katherine Parr, and her reckless fourth husband, who was executed for treason, Mary was orphaned by her first birthday. A burden to her relatives during her life, she was also obscure in death, which has gone unrecorded. Many assume she died as a child, but the speculation that she survived to adulthood presents a provocative “what if.”

Nicola Cornick’s second romantic time-slip novel (after House of Shadows) is a historically rich work that uses this premise as the springboard for a story about an unlikely sisterhood that extends into two eras.

Alison Bannister, née Banastre, was born into the 16th century but has somehow been trapped in the 21st century for over a decade. She and Mary Seymour had spent their later childhood and adolescence together at Wolf Hall in Wiltshire, along with a passel of other orphaned cousins. Several years separate the pair, and their personalities are too different to allow for friendship: Alison is beautiful yet hard-edged, while Mary is innocent and naïve, and Mary’s higher social standing invites feelings of jealousy. Still, later circumstances compel them into a pact. Alison had helped Mary flee a dangerous situation at Wolf Hall, and in exchange, she demands Mary’s assistance in finding the son she was forced to give up.

Unable to return to her own time, Alison has made a new life for herself in modern England but doesn’t let herself get close to anyone; she remains haunted by her lost child. Her first clues on what happened to him emerge via a portrait of Mary, which she finds while browsing an antique shop in Marlborough. Unfortunately for Alison, examining the painting’s provenance and the objects depicted within it means reconnecting with an old flame, Adam Hewer, a rising celebrity historian who’s staked his career on its identification as a newly discovered Anne Boleyn portrait.

Adam shows dubious professional judgment, as do the portrait’s modern authenticators, but he’s willing to concede he may be wrong. Several mysteries are carefully woven through both timelines. What became of Alison’s son? What forced Mary to leave Wolf Hall? What’s the true identity of the mysterious man who communicates telepathically with Mary? Perhaps written as a touching homage to Mary Stewart’s classic Touch Not the Cat, Mary’s secret relationship with this man she’s never seen is often her sole source of hope.

author Nicola Cornick

Cornick’s portrait of country life in Tudor England is presented with a tactile clarity that avoids romanticizing the time. One can feel the damp chill that pervades Wolf Hall in winter, smell the ripe odors of the local market, and observe how women’s powerlessness gives rise to discord and rancor. Alison’s under no illusion about a woman’s lot back then – if not for her missing son, she’d stay put in 2016 – and a wonderful scene of her present-day visit to a medieval church illustrates this. Moreover, Alison’s attempts to locate the past via modern clues demonstrate how much the past remains with us.

There were traces of history everywhere: in street names, on inn signs, in old tracks and ancient hedgerows, buried walls and tumbled gravestones. Scratch the surface and it was there.

The Phantom Tree is a skillfully written multi-stranded mystery with thoughtful reflections on two women’s quests for belonging. Read it not only for its evocation of the 16th century but for greater appreciation of the conveniences and freedoms we take for granted today.

The Phantom Tree was published by HarperCollins UK’s HQ imprint on 29 December (£7.99, paperback).  Thanks to the publisher for approving my NetGalley access; this is the second stop on the book’s blog tour.

Book review, with notes: Kate Alcott’s The Hollywood Daughter

Alcott (A Touch of Stardust, 2015) returns to mid-twentieth-century Los Angeles with her novel about a young woman’s emotional and cultural awakening.

Jessica “Jesse” Malloy, who narrates in a vibrant voice, feels awkward growing up as the daughter of a fun-loving Selznick Studio publicist and a reserved Catholic woman who resists Hollywood’s sinful influences. Jesse has always hero-worshipped Ingrid Bergman, and when the beautiful Swedish actress stars in The Bells of St. Mary’s, which is filmed at Jesse’s convent school, Catholics’ admiration for her seems boundless. However, when Bergman’s affair with Italian director Roberto Rossellini is discovered, the situation horrifies Hollywood’s morality police and shatters Jesse’s illusions.

Alcott uses a fast-paced, efficient writing style and creates a believable portrait of a teenager navigating high school, potential romances, and her complicated world during the McCarthy years. The portions set in 1959, as Jesse returns home after a long absence, provide emotional closure. Jesse’s parents, teachers, and Bergman herself are all sketched with subtlety. Another honest look at the real stories behind Hollywood’s glamorous veneer.

The Hollywood Daughter is published today in hardcover and by Doubleday. This review was submitted for publication in Booklist‘s January 1st issue.

Some other notes:

This novel will work well as a YA crossover title. In fact, I can’t recall reading another adult-level historical novel that placed so much emphasis on its heroine’s school experiences, which include Jesse’s relationships with her teachers (who fortunately aren’t stereotyped) and her participation on a debate team. I think it could have been categorized as YA if not for the sections at the beginning and end. Sarah Hunter at Booklist  recommended the book for YA readers and appended a note to that effect at the end of the review. If anyone else has read it, I’ll be interested to hear your thoughts.

For a perspective on how the novel’s themes relate to contemporary times, see Kate Manning’s review in the Washington Post, which was published yesterday.

A storyteller at work: Brian Doyle’s The Adventures of John Carson in Several Quarters of the World

In 1880, after following his lady-love, Fanny Osbourne, halfway across the globe, Scottish writer Robert Louis Stevenson lives in San Francisco, waiting for her impending divorce from her unfaithful husband and hoping the money he earns from his scribblings will support a wife and family.

John Carson, his landlady’s husband, is a longtime maritime man, and as they warm themselves by the fire and amble along the hilly streets, Carson recounts episodes from his adventurous life––a subject the historical Stevenson had planned to write about, but never did.

With abundant wit and mellifluous prose, expressed using generously long sentences, Doyle transports readers to diverse lands, including the Borneo jungle, Sydney, war-torn America, and a haunted Irish village. He also perceptively imagines the young Stevenson, a man soaking up new friendships and life lessons while sharpening his talents.

It’s a wondrous sort of paradox that a fiction nested inside another fiction can convey many poignant truths. Doyle’s irresistible novel, which practically begs to be read aloud, is a triumphant ode to the power of storytelling.

The Adventures of John Carson in Several Quarters of the World is published tomorrow by Thomas Dunne, an imprint of St. Martin’s Press, in hardcover and .  I wrote this review for Booklist, and the final version appeared in the 2/1 issue.

Some other notes:

– This review assignment arrived last October, at which point I hadn’t heard anything about the book. I don’t always have the best luck with novels about explorers or adventurers, so it was a pleasant surprise. There’s a lot of story and wisdom included in this comparatively short novel (it’s 240pp long).

– Unfortunately, I don’t find the cover art all that inspiring; maybe the paperback will be an improvement.

– This novel would be a good fit for admirers of Stevenson’s own works, as well as anyone who enjoyed Nancy Horan’s Under the Wide and Starry Sky, which covers his relationship with his wife, Fanny Osbourne.